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Posts Tagged ‘Celebration Quilts’

Last summer, I met a new client who told me an old story. She had stuff in a box and didn’t want to move that box around anymore. She wanted to do something with the contents of that box that she could enjoy and that would honor the former owners of the artifacts in the box. Does that sound familiar?

Wedding Gown from 1910

1910 Wedding Gown

So, what was in the box? Three generations of wedding gowns, carefully wrapped in tissue: my client’s wedding gown from the 1970’s, her mother’s wedding gown from the 1940’s, and her grandmother’s gown from around 1910.

About the Design
Working within the confines of a 24″ wide by 36″ long size for the quilt, I needed to use the wedding gowns in a way that would visually feature and honor all three in some way. My client told me it wasn’t immensely important for her to be able to see her 1970’s gown in the finished quilt, but she really did like her braided belt. We agreed that her grandmother’s gown was the most interesting and should be showcased. Her mother’s gown was lovely and handmade, and had features I wanted to highlight.

Wedding Gown from the 1970's

1970’s Wedding Gown in the Box

To design this quilt, I used my Celebration Quilt worksheet to determine color, pattern, materials, techniques, and to make other design decisions. (If you own my book Creating Celebration Quilts or have taken this workshop, you have this worksheet.) While we quilters often think of quilts in terms of strips or blocks, I approached this quilt with layers as my goal. Each generation would have its own layer.

Layer One: Foundation from 1970’s Gown
My client’s wedding gown was made of a white knit, which gave me the additional challenge of stretchy fabric. To create a base layer for this quilt, I found an appropriate backing, added batting, and basted fabric from the skirt of the 1970’s gown to this quilt sandwich as if this gown were the quilt top. I grid-quilted it on my BERNINA 820 at 1 1/2″ intervals to keep the knit stable. Everything else in this quilt would be appliqued to this foundation.

Let me just pause for a moment and say how very hard it is to cut — yes, CUT — vintage garments. Here’s what I tell myself: This garment is beautiful. It lived a wonderful life and is now in a box where it gets no use, has no exposure, brings no joy. If I cut this garment and make it part of something else, it will have a new life where it will be seen and appreciated every day.

Layer Two: Background from 1940’s Gown

1940's Wedding Gown

1940’s Wedding Gown in the Box

My client’s mother’s gown was really special. It was hand sewn from silk and lots of really lovely lace. I wanted to include it so that you could see it was still a dress, but there wasn’t enough real estate in this quilt to highlight both the 1910 gown and the 1940’s gown. I removed the lining from the 1940’s gown and auditioned several layouts that would show the bodice clearly. I also wanted to highlight the points at the cuffs.

Layer Three: Foreground from 1910 Gown
My client’s grandmother was tiny. Her wedding gown looks child-size. Every detail was well-preserved and, well, beautiful. I couldn’t fit the whole gown on the quilt (If I could have changed the quilt size at this point, I would have.) and I hated to lose any of the gorgeous lace detail. I started by removing the lining and then I positioned the dress on the quilt without cutting away anything. I tried placing it vertically, parallel with the sides of the quilt, but that made for a really boring composition. Then, I tried angling the dress to the right and to the left. The diagonal line made the quilt much more interesting and it left some room to the right to show off the 1940’s lace bodice.

Construction

Couching by hand

Couched Floss in the Binding Ditch

Once I knew where everything would go, I pinned things firmly in place and then hand-appliqued everything to the base layer. Where there where big expanses of gown between the stitched edges, I followed the lines of the lace or construction and added more hand-stitching to keep things flat and secure.  Once everything was in place, I trimmed the quilt to size and bound it. To add a little contrast between the binding and the quilt itself, I added a line of Aurifil’s new cotton floss hand-couched in the ditch. It’s subtle, but I think it was an important addition. Finally, I added my client’s braided silk belt. This was what she loved about her gown and I wanted it to show. I handstitched it across the top and left the ends to hang free, framing the other two gowns.

Finished quilt: Three Generation of Wedding Gowns

Out of the Box: Three Generations of Wedding Gowns

A Few Final Thoughts
When I make a Celebration Quilt for a client, I try very hard to use only the materials they supply. Everything in the quilt should be infused with meaning and memories. The only fabrics I added to this quilt were the binding, the backing, and the fabric for the printed labels.

Don’t forget the back of the quilt! When I have artifacts or leftovers that would not fit on the front of a Celebration Quilt, I try to make them work on the back. In this case, I used the lace points from the 1910 gown to highlight the labels. Because the quilt was somewhat unbalanced weight-wise, I added a second sleeve at the bottom for a thin metal slat or drapery weights to help the quilt hang perfectly.

Three labels

This quilt needed three labels to tell the whole story.

This quilt has three labels. One includes the name of the quilt and information about how it came to be. The second label includes pictures of all three brides, including names and dates. The third label includes the anatomy of the quilt, showing a picture of the quilt with arrows identifying what artifacts are where. This is a good idea any time the artifacts may not be obvious or the quilt may eventually go to someone who would not recognize the contents.

This quilt may not be for everyone; it’s not supposed to be. My client is happy. She has hung this quilt in her new home where she can enjoy it every day. An effective Celebration Quilt is personal and meaningful — and designed as a one-of-a-kind piece of art. If you are interested in learning how to make Celebration Quilts, you can buy my book or come to one of my workshops. If you bring the seed of an idea, I’ll help you make a plan. If you want to talk with me about making a Celebration Quilt for you, e-mail me and let’s start the conversation.

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If it’s fall, then the IQA Quilt Festival in Houston is right around the corner. I love the Houston show. (Question: Why do we refer to quilt shows by the location rather than the official show name? Discuss.) The Houston show has more quilts, more vendors, and more visitors than any other show I’ve ever attended. Think really big. In 2010, attendance was over 60,000 people.

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If you’re planning to be there, I’d love to see you! Here’s where you can find me.

Tsukineko Ink Basics (Class)

Set of InksThursday, October 31, 9am-noon, class number 446. This is my second year to teach this class at the Houston show, but I’ve taught it many times for guilds and at Artistic Artifacts, my local fiber arts shop.

I really like Tsukineko inks and the subtle color they can add to labels and printed photographs. What I LOVE about these inks is how much fun it can be to color black-and-white commercial fabrics. I like to start with a very light value and then add more ink to achieve darker color values. The inks can be heat set and then more layers added.

Design Your Own Memory Quilt (Class)

Celebration Quilt

Thursday, October 31, 2-5pm, class number 484. I taught this class last year, too! Many of the quilts I make are memory or celebration quilts, using materials and artifacts to commemorate an event or a person’s life. So many of the quilters I talk with want to make personal and original memory quilts. I teach this class locally and I travel to teach it at shows and guilds. It’s important to me to help quilters gain the confidence and skills they need to commemorate in quilts what’s important to them in life.

In this class, I show examples of memory quilts, walk students through the worksheet from my book on memory and celebration quilts, and brainstorm with them to inspire ideas and overcome potential roadblocks. Everyone gets a chance to share their ideas and ask questions. Students arrive with a topic and leave with ideas, suggestions, and a path to follow.

It’s Okay to Write on Your Quilts (Lecture)

Color!Friday, November 1, 11am-noon, event number 549. I love adding text as graphic elements in my work and I’m gratified that this has been identified as a trend in the art quilt world. I believe the writing on your quilts should not be confined to your labels. In this lecture, I share lots of examples of adding text using your sewing machine, paint, ink, and beads. The possibilities are endless!

Meet the Teachers

Creating Celebration Quilts Book CoverFriday, November 1, 2:30-3pm and Saturday, November 2, 1:30-2pm. The show organizers invite teachers to present a half-hour presentation to help us connect with show visitors. I’ll be there sharing my book, Creating Celebration Quilts, and talking about making memory and celebration quilts. If you miss this class on Thursday, this will give you an overview of how to get started on your own memory quilts. No tickets required; this is a free event.

Printing on Fabric with Wooden Printing Blocks (Open Studios)

WoodBlockShellSaturday, November 2, 4-6pm and Sunday, November 3, noon to 2pm. While I love using commercially available fabrics, it’s fun and gratifying to create my own fabric with paint and stamps. In these free demos, I’ll show how easy it is to create your own fabric using some paint and the wonderful wooden printing blocks from Colouricious (available from Artistic Artifacts online, at the store in Alexandria, Virginia, or at the show). These versatile blocks can be used for stamping, for rubbing as a texture plate, and for display. LOVE them. No tickets required; this is a free event.

I hope I see you there!

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Creating Celebration Quilts Book CoverI love making quilts that celebrate something — events, milestones, the lives of lost loved ones, or even a special vacation. I relish the design decisions, the fabric choices, the execution, and the joy of seeing the quilt completed. I have made many, many celebration quilts. Some have been for myself, but mostly they have been for others.

I wrote Creating Celebration Quilts to help you design and create your own Celebration Quilts. Using the skills you have now, you can create quilts that are personal, meaningful, joyful, and healing. In my book, I have included four sections to help you through the process:

  1. The Celebration Quilt Worksheet will help you design your Celebration Quilt and offer you things to consider as you work through the process.
  2. A Closer Look follows five Celebration Quilts from concept to completion, including quilts made from a commercially available foundation piecing pattern, from a roll of precut strips, from a large collection of bow ties and a bulletin board full of quotes, from tee shirts and traditional nine-patch blocks, and from clothing and artifacts belonging to a spirited man I wish I’d met while he was still with us.
  3. The Celebration Quilt Toolbox contains tips and suggestions for taming difficult fabrics, using photographs, approaching the quilting, incorporating quilted words, constructing show-ready hanging sleeves, and adding complete and meaningful labels.
  4. The Celebration Quilts Gallery is filled with ideas and inspiration with examples of baby quilts, wedding and anniversary quilts, quilts that celebrate the lives of lost loved ones, and quilts that celebrate family, family traditions, birthdays, accomplishments, events, and travel.

When I teach Celebration Quilts as a class or workshop, I am always surprised and moved by the stories I hear. Often, the quilters I meet are planning quilts to honor family members and we talk about the linens, clothing, and collections that have been left behind. Sometimes quilts are planned to commemorate weddings, anniversaries, births, and graduations. I’d love to hear your stories…what do your quilts celebrate?

Leave a comment by Sunday, June 30, 2013, and you will be entered into a drawing for your choice of either a free copy of my book or a free consultation on a celebration quilt you’re planning or working on.

Creating Celebration Quilts is available on my website and at quilt shops everywhere.

Thanks for visiting my blog. Celebrate with Quilts!

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